"Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Daniela Barcellona, Sir Colin Davis was released on November 30, 2018. With this song being about 5 minutes long, at 5:10, "Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Daniela Barcellona, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. In terms of popularity, Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Daniela Barcellona, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
The Damnation of Faust, Op. 24, H. 111: 'Margarita!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Karen Cargill, John Irvin | D♭ Major | 1 | 3B | 118 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin | D♭ Major | 1 | 3B | 118 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | ||
Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 0 | 10B | 127 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM |