"La traviata / Act 2: "Dammi tu forza, o cielo!"" by Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi was released on January 1, 2005. With La traviata / Act 2: "Dammi tu forza, o cielo!" being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #18 out of 38 tracks. The popularity of La traviata / Act 2: "Dammi tu forza, o cielo!" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 2: "Dammi tu forza, o cielo!" by Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La traviata / Act 2: "Dammi tu forza, o cielo!" being at 170 テンポ, the half-time would be 85 テンポ with a double-time of 340 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Requiem, Offertorio: Hostias | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 76 BPM | ||
Rigoletto: Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Daniela Lojarro, Gisella Pasino, Giuseppe Sabbatini, Marco Chingari, Berlin Radio Symphony Orchestra, Roberto Paternostro | E Major | 0 | 12B | 171 BPM | ||
Falstaff / Act II: E sogno? O realtà | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Madama Butterfly / Act 1: Vieni, amor mio! | Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 76 BPM | ||
Madama Butterfly / Act 2: Si sa che aprir la parta | Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 87 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
L'Arlesiana: È la solita storia del pastore | Francesco Cilea, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | C Major | 0 | 8B | 84 BPM | ||
L'orsque j'etais enfant | André Messager, Anna Netrebko | C Minor | 1 | 5A | 135 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
La Traviata, Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 2 | 6B | 106 BPM |