"17. Strephon's a member of Parliament" by Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey was released on January 1, 1960. The duration of 17. Strephon's a member of Parliament is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. 17. Strephon's a member of Parliament's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 2 out of 28. On top of that, United Kingdom appears to be the country where this track was created. 17. Strephon's a member of Parliament is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 17. Strephon's a member of Parliament by Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gondoliers / Act 2: 31. Here We Are, at the Risk of Our Lives | Arthur Sullivan, Glynis Prendergast, Barbara Lilley, Jane Metcalfe, Caroline Baker, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | F Major | 1 | 7B | 91 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Mass: Credo: Trope, "I Believe in God" (3 Solo Voices, Street Chorus, Rock Singer, Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | G Minor | 4 | 6A | 173 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
6. And I have journey'd for a month | Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 1 | 5B | 126 BPM | ||
1. If you want to know who we are | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 3 | 9B | 121 BPM | ||
Prokofiev: Peter and the Wolf, Op. 67: No. 6 The Duck Is Caught | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A♭ Major | 1 | 4B | 162 BPM |