Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash made "6. And I have journey'd for a month" available on January 1, 1973. With 6. And I have journey'd for a month being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 7 out of 37. Based on our statistics, 6. And I have journey'd for a month's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 6. And I have journey'd for a month by Arthur Sullivan, Colin Wright, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash to be Allegro (fast, quick, and bright) because the track has a tempo of 126 テンポ, a half-time of 63テンポ, and a double-time of 252 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70, MWV A25 / Part 1: "Woe, woe unto them who forsake Him!" | Felix Mendelssohn, Patricia Bardon, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 1 | 12B | 83 BPM | ||
Easter Hymn (from Cavalleria Rusticana) | The Accademia di Santa Cecilia Orchestra, Giulietta Simionato, The Accademia di Santa Cecilia Chorus, Tullio Serafin | G Major | 3 | 9B | 64 BPM | ||
La traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Helene Schneiderman, Herman Wallen, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | G Major | 3 | 9B | 98 BPM | ||
Requiem: V. Agnus Dei | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 172 BPM | ||
La farfalletta | Vincenzo Bellini, Cecilia Bartoli, James Levine | G Major | 0 | 9B | 101 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
Lucia di Lammermoor / Act 1: "Qui di sposa eterna...Ah! Verrano a te sull'aure" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 171 BPM | ||
Gounod : Faust : Act 1 "Rien!...En vain j'interroge" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 130 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM | ||
Così fan tutte, K. 588 / Act I: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Minor | 4 | 7A | 110 BPM |