"Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. The duration of Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #5. Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 | Carl Orff, Karl Peinkofer Percussion Ensemble | C Major | 0 | 8B | 100 BPM | ||
Angel Heart, Pt. 1: Chapter 2b, Mother Nature's Son (Arr. D. Sanford for Voices & Ensemble) | David Sanford, Daniel Taylor, Sanford Sylvan, Mike Marshall, Matt Haimovitz, Uccello | D Major | 3 | 10B | 101 BPM | ||
Kyrie (Arr. M. Haimovitz for Cello Quartet) | Josquin des Prez, Matt Haimovitz | A♭ Major | 1 | 4B | 134 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Partita No. 2 for Solo Cello: Movement V | Philip Glass, Matt Haimovitz | G Major | 0 | 9B | 86 BPM | ||
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme - | Franz Schubert, vision string quartet | G Minor | 0 | 6A | 131 BPM | ||
Cello Concerto, Op. 57: II. Andante. Solenne | Thomas de Hartmann, Matt Haimovitz, MDR Leipzig Radio Symphony Orchestra, Dennis Russell Davies | F♯ Minor | 0 | 11A | 75 BPM | ||
Variationen zur Gesundung von Arinuschka, for Piano Solo | Arvo Pärt, Jürgen Kruse | D Major | 0 | 10B | 121 BPM |