Carl Orff, Karl Peinkofer Percussion Ensemble made "Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933" available on January 1, 1995. With Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Orff-Schulwerk, Vol. 1: Musica Poetica". In this album, this song's track order is #40. In terms of popularity, Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 by Carl Orff, Karl Peinkofer Percussion Ensemble having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder und Tänze: In kleinstem Raum | Carl Orff, Karl Peinkofer Percussion Ensemble | A Minor | 0 | 8A | 112 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Hosokawa: 2 Japanese Folksongs: II. Itsuki no komori uta | Toshio Hosokawa, Emmanuel Pahud, Christian Rivet | G Minor | 0 | 6A | 108 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
3 Mélodies, Op. 7: No. 1: Après un rêve (Arr. for viola and organ) | Gabriel Fauré, Louis-Noël Bestion de Camboulas, Adrien La Marca | A♭ Major | 1 | 4B | 74 BPM | ||
Fall of the Leaf: I. Theme. Andante | Imogen Holst, Thomas Hewitt Jones | A Major | 0 | 11B | 57 BPM | ||
Acht Stücke für Zwei Violinen | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | A Minor | 0 | 8A | 108 BPM |