"Gaetano Donizetti: Lucia di Lammermoor: Spargi d'amore pianto" by Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Guiseppe Patané was released on 1996. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Italian Classics - Vivaldi / Paganini / Verdi" album is number 8 out of 16. In terms of popularity, Gaetano Donizetti: Lucia di Lammermoor: Spargi d'amore pianto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gaetano Donizetti: Lucia di Lammermoor: Spargi d'amore pianto by Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Guiseppe Patané to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Allegretto pastorale) | Edvard Grieg, Andrew Davis, New Philharmonia Orchestra | D Major | 2 | 10B | 96 BPM | ||
Der Schwan: für Cello und Klavier aus dem Karneval der Tiere | Gregor Lentjes (Horn), Katie Zahn (Flöte), David Stromberg (Violoncello), Sebastian Borsch (Klarinette), Emi Matzumura (Oboe), Lothar Palmer (Fagott), Barbara Bultmann (Violine), Irina Kolesnikova (Klavier) | F Major | 3 | 7B | 88 BPM | ||
Boccherini / Arr. Paillard: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | A Major | 1 | 11B | 111 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Guiseppe Verdi: Il Trovatore: Or co' dadi, ma fra poco | Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | C Major | 3 | 8B | 108 BPM | ||
Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 0 | 12B | 76 BPM | ||
Lohengrin: Act I - "Einsam in trüben Tagen" | Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Theo Adam, Hannelore Kuhse | A♭ Major | 2 | 4B | 75 BPM | ||
Wien bleibt Wien | Johann Hanns Schrammel, Berlin Philharmonic Wind Ensemble, Herbert von Karajan | E♭ Major | 4 | 5B | 116 BPM | ||
Bizet: Carmen, Act 2: "Bel officier, l'amour vous joue en ce moment un assez vilain tour!" (Carmen, Remendado, Dancaïro, Bohémiens, Zuniga) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Christian Van Horn, Jean-Paul Fouchécourt, Magdalena Kozená, Simone Del Savio | B Minor | 1 | 10A | 91 BPM | ||
Wagner: Parsifal, Act 3: "Höchsten Heiles Wunder!" (Youths and Boys, Knights) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor der Deutschen Staatsoper Berlin, Cornelius Hauptmann, Kurt Schreibmayer | D♭ Major | 0 | 3B | 80 BPM |