"As Others See Us: III. John Churchill" by James MacMillan, Netherlands Radio Chamber Philharmonic, Linus Roth, Julius Berger, Lars Wouters van den Oudenweijer was released on May 2, 2014. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in James MacMillan, Julius Berger, Lars Wouters van den Oudenweijer, Linus Roth, Netherlands Radio Chamber Philharmonic's "James MacMillan: Work for Chamber Orchestra with Soloists" album is number 7 out of 10. In terms of popularity, As Others See Us: III. John Churchill is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of As Others See Us: III. John Churchill by James MacMillan, Netherlands Radio Chamber Philharmonic, Linus Roth, Julius Berger, Lars Wouters van den Oudenweijer to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
One | James MacMillan, Britten Sinfonia | B Minor | 0 | 10A | 85 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Four Songs of Love: IV. His Left Hand | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A Minor | 0 | 8A | 69 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
Three Sacred Hymns: II. Herr Jesus, Sohn Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | C Minor | 2 | 5A | 125 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |