"Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues" by Benjamin Britten, Finzi Singers, Paul Spicer, Carys Lane, Richard Wyn Roberts, James Gilchrist, Matthew Brook, Simon Preece, Andrew Lumsden was released on January 1, 1997. With Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 27 in Britten: Rejoice in the Lamb, Op. 30, Hymn to St Cecilia, Op. 27, A.M.D.G., (Choral Edition, Vol. 1) by Benjamin Britten, Finzi Singers, Paul Spicer, Andrew Lumsden. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues by Benjamin Britten, Finzi Singers, Paul Spicer, Carys Lane, Richard Wyn Roberts, James Gilchrist, Matthew Brook, Simon Preece, Andrew Lumsden is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 0 | 6A | 84 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Piano Concerto No. 20 in D minor, K.466: 2. Romance | Wolfgang Amadeus Mozart, Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten | B♭ Major | 0 | 6B | 76 BPM | ||
Saint Nicolas, Op. 42: He Comes To Myra and Is Chosen Bishop | Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Major | 3 | 10B | 64 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM |