"The Long Day Closes: I. Main Titles" by Milo Paulus was released on January 5, 2024. The duration of The Long Day Closes: I. Main Titles is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Long Day Closes: I. Main Titles's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Milo Paulus's "International Escapades (Original Soundtrack Suites)" album is number 23 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Long Day Closes: I. Main Titles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Long Day Closes: I. Main Titles by Milo Paulus to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Empty, No Cash | Milo Paulus | C Minor | 0 | 5A | 67 BPM | ||
El Alcance del Tiempo | Sirenas Celestiales | F Minor | 0 | 4A | 108 BPM | ||
Symphony No. 1: II. Adagio: Lento ma non troppo | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | C Minor | 0 | 5A | 134 BPM | ||
The Men's Project: VI. The Men's Lament | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
Crown Imperial: A Coronation March | William Walton, Royal Philharmonic Orchestra | C Major | 5 | 8B | 88 BPM |