Giuseppe Verdi, Maria Callas, Giuseppe Taddei, Ignacio Ruffino, Mario del Monaco, Oralia Dominguez, Orquesta del Palacio de Bellas Artes, Mexico City, Roberto Silva, Oliviero de Fabritiis's 'Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis) [Live]' had a release date set for September 15, 2017. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis) [Live]'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida (1951 - Mexico City) - Callas Live Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #25 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis) [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis) [Live] by Giuseppe Verdi, Maria Callas, Giuseppe Taddei, Ignacio Ruffino, Mario del Monaco, Oralia Dominguez, Orquesta del Palacio de Bellas Artes, Mexico City, Roberto Silva, Oliviero de Fabritiis has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis) [Live] being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Di quella pira | Mario del Monaco | C Major | 3 | 8B | 172 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Aida: Danza di piccoli schiavi mori | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | A♭ Major | 1 | 4B | 81 BPM | ||
Les Contes d'Hoffmann / Act 2: "Les oiseaux dans la charmille" | Jacques Offenbach, Edita Gruberova, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | A♭ Major | 1 | 4B | 178 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
La Forza Del Destino: Pace, Pace | Francesco Maria Piave, Miriam Gauci, Belgian Radio and Television Philharmonic Orchestra, Giuseppe Verdi | C Minor | 0 | 5A | 78 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM |