"Aida: Danza di piccoli schiavi mori" by Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris was released on 1991. With Aida: Danza di piccoli schiavi mori being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida - The Sony Opera House by Giuseppe Verdi, James Levine. The song's track number on the album is #3 out of 60 tracks. Based on our data, United States was the country where this track was produced or recorded. Aida: Danza di piccoli schiavi mori is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida: Danza di piccoli schiavi mori by Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida: Danza di piccoli schiavi mori being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un ballo in maschera: Alzati…Eri tu che macchiavi | Giuseppe Verdi, Ettore Bastianini, Anita Cerquetti, Gianni Poggi, Emidio Tieri, Orchestra del Teatro Comunale di Firenze | F Major | 1 | 7B | 127 BPM | ||
The Rake's Progress / Act 3 / Scene 2: "I burn! I burn! I freeze!" | Igor Stravinsky, Samuel Ramey, Philip Langridge, London Sinfonietta, Riccardo Chailly | A Major | 2 | 11B | 136 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Macbeth / Act I: Coro di Streghe: "S'allontanarono!" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 115 BPM | ||
A te | Giacomo Puccini, Plácido Domingo | D Major | 1 | 10B | 107 BPM | ||
Preludio a Orchestra | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | E♭ Major | 2 | 5B | 84 BPM | ||
Don Carlo - Highlights (1986 Digital Remaster): Canzone del velo 'Nel giardin del bello' (Eboli/Tebaldo/Dame) | Giuseppe Verdi, Montserrat Caballé, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini, Orch.Of Royal Opera House Covent Garden | A Major | 2 | 11B | 95 BPM | ||
Carmen (1997 - Remaster), Act I: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM | ||
Il Signor Bruschino / Act 1: N.3 Cavatina: "Nel teatro del gran mondo" | Gioachino Rossini, Samuel Ramey, English Chamber Orchestra, Ion Marin, John Constable | E Major | 2 | 12B | 106 BPM | ||
Hamlet / Act 3: Je t'implore, ô mon frère | Ambroise Thomas, James Morris, Sherrill Milnes, Arwel Huw Morgan, Welsh National Opera Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 71 BPM |