Luigi Arditi, Erna Sack, Berlin Deutsche Opera Orchestra, Hans Schmidt-Isserstedt made "Parla Waltz" available on July 2, 2013. With this song being about 5 minutes long, at 4:32, "Parla Waltz" by Luigi Arditi, Erna Sack, Berlin Deutsche Opera Orchestra, Hans Schmidt-Isserstedt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Singers of the Century: Erna Sack - The German Nightingale sings Coloratura Masterpieces (1935-1942)". In this album, this song's track order is #8. Parla Waltz is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Parla Waltz by Luigi Arditi, Erna Sack, Berlin Deutsche Opera Orchestra, Hans Schmidt-Isserstedt having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
La Bohème, Act IV: "In un Coupé?...O Mimi, tu più non torni" | Giacomo Puccini, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | B Major | 3 | 1B | 86 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
Carmen: Carmen, Act II: Toreado Song: Votre toast, je peux vous le rendre | Georges Bizet, Dmitri Hvorostovsky, Marnie Breckenridge, Viktoria Smirnova, Anastasia Chikaeva, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | F Major | 4 | 7B | 111 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Arditi: Leggero, invisible | Luigi Arditi, David Harper, Jennifer Larmore | G Major | 2 | 9B | 107 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM |