"The Kiss (Hubicka) - Opera in 2 Acts: Lullaby" by Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing was released on January 1, 2013. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing's "Guilty Pleasures" album is number 13 out of 17. The Kiss (Hubicka) - Opera in 2 Acts: Lullaby is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Kiss (Hubicka) - Opera in 2 Acts: Lullaby by Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink | D♭ Minor | 1 | 12A | 92 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Martha / Act 2: Last Rose of Summer | Friedrich von Flotow, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 1 | 7B | 76 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 102 BPM | ||
The Kiss, JB 1:104, Act II, Scene 5: Oh, How Could I Believe so Foolishly (Vendulka, dcera Palouckého, Martinka, Vendulčina stará teta, Matouš, starý pašíř) | Bedřich Smetana, Ludmila Červinková, Marta Krásová, Vladimír Jedenáctík, Prague National Theatre Orchestra, Zdeněk Chalabala | G Major | 2 | 9B | 111 BPM | ||
Rusalka, Op. 114 / Act 3: Necitelná vodní moci | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 2 | 5B | 85 BPM | ||
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Maurizio Pollini, Paul Kletzki, Philharmonia Orchestra | E Major | 0 | 12B | 168 BPM | ||
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM |