Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner's 'Gold und Silber, Op.79: Walzer' came out on January 1, 1999. Since Gold und Silber, Op.79: Walzer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Soirée by Wiener Philharmoniker, John Eliot Gardiner. The song's track number on the album is #6 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. Gold und Silber, Op.79: Walzer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gold und Silber, Op.79: Walzer by Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Gold und Silber, Op.79: Walzer being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Frau Luna: Schlösser,die im Monde liegen (Bolten-Baeckers) | Paul Lincke, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
La Favorite / Act 3: Oh! Mon Fernand - Excerpt | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | C Major | 0 | 8B | 125 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Royal Concertgebouw Orchestra | F Major | 1 | 7B | 114 BPM | ||
4. Fare thee well, attractive stranger | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Carmen / Act 1: "Mais nous ne voyons pas la Carmencita" - "L'amour est un oiseau rebelle" | Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | G Major | 2 | 9B | 179 BPM | ||
Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM |