"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. S. Rubinsky for Piano)" by Johann Sebastian Bach, Sonia Rubinsky was released on October 11, 2019. Since Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. S. Rubinsky for Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Sonia Rubinsky's "Magna Sequentia III" album is number 2 out of 7. In terms of popularity, Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. S. Rubinsky for Piano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. S. Rubinsky for Piano) by Johann Sebastian Bach, Sonia Rubinsky to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM |