"Chichester Psalms: III. Psalm 131 / Psalm 133,1 - Live" by Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra was released on January 1, 1978. Since Chichester Psalms: III. Psalm 131 / Psalm 133,1 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Bernstein: Chichester Psalms; Symphony No.3 "Kaddish" by Leonard Bernstein, Israel Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Chichester Psalms: III. Psalm 131 / Psalm 133,1 - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chichester Psalms: III. Psalm 131 / Psalm 133,1 - Live by Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | D♭ Major | 0 | 3B | 91 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Carmen Suite No. 1: Les dragons d'Alcala. Allegro moderato (Prelude to Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Minor | 1 | 6A | 107 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Finale (Adagio) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | F Minor | 1 | 4A | 111 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Symphony No. 2 in C Minor "Resurrection" (Auferstehung): IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein | D♭ Major | 0 | 3B | 136 BPM | ||
Requiem, Op. 48, N. 97: Kyrie (Ed. Marc Rigaudière) | Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Ensemble of King's College, Cambridge | E♭ Major | 1 | 5B | 96 BPM | ||
Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus | E Minor | 0 | 9A | 139 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | A♭ Major | 3 | 4B | 67 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM |