"Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei" by Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus had its release date on January 1, 1995. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 3 out of 19 in Bruckner: The Masses by Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum. Based on our statistics, Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei by Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Symphony No. 2 in C Minor "Resurrection" (Auferstehung): IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein | D♭ Major | 0 | 3B | 136 BPM | ||
Symphony No.1 in C Minor, WAB 101: 3. Scherzo | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: Introduction: "As God the Lord of Israel liveth" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Minor | 2 | 6A | 86 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Gloria in D Major, RV 589: 3. Laudamus te | Antonio Vivaldi, Julia Lezhneva, Franco Fagioli, I Barocchisti, Diego Fasolis | F♯ Major | 3 | 2B | 123 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Carmina Burana / II. In Taberna: "Ego sum abbas" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM |