"String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live" by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein was released on January 1, 1992. String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in Beethoven: String Quartet No.14 in C Sharp Minor, Op.131; String Quartet No.16 in F, Op.135 by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein. In terms of popularity, String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Ballet Suite, Op. 66a: II. Adagio - Pas d'action | Pyotr Ilyich Tchaikovsky, Christoph Eschenbach, Wiener Philharmoniker | E♭ Major | 2 | 5B | 67 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | E♭ Major | 0 | 5B | 85 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM |