"String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live" by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein was released on January 1, 1992. String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in Beethoven: String Quartet No.14 in C Sharp Minor, Op.131; String Quartet No.16 in F, Op.135 by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein. In terms of popularity, String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live by Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 131 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 121 BPM | ||
Vienna Blood Waltz, Op. 354 | Johann Strauss II, Leonard Bernstein | C Major | 2 | 8B | 110 BPM | ||
Symphony No.5 In B Flat, D.485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 88 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM |