"Enigma: End Titles (Arr. N. Raine for orchestra)" by John Barry, Royal Philharmonic Orchestra, Nicholas Raine was released on September 24, 2013. The duration of Enigma: End Titles (Arr. N. Raine for orchestra) is about 3 minutes long, at 3:26. Based on our data, "Enigma: End Titles (Arr. N. Raine for orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Barry, Royal Philharmonic Orchestra, Nicholas Raine's "Movie Legends: The Music of John Barry" album is number 7 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Enigma: End Titles (Arr. N. Raine for orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Enigma: End Titles (Arr. N. Raine for orchestra) by John Barry, Royal Philharmonic Orchestra, Nicholas Raine to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Departure | Michael Nyman | D Minor | 3 | 7A | 178 BPM | ||
Peer Gynt Suite No. 1. 4 - I Dovregubbens Hall - In The Hall Of The Mountain King | Edvard Grieg, Royal Philharmonic Orchestra | B Minor | 1 | 10A | 94 BPM | ||
Those Magnificent Men in Their Flying Machines | Ron Goodwin, Rumon Gamba, BBC Philharmonic | B♭ Major | 2 | 6B | 74 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
The Final Kiss | Maurizio Malagnini | A Major | 2 | 11B | 98 BPM | ||
Harry & Grace Make Peace | Trevor Rabin | C Major | 1 | 8B | 74 BPM | ||
Allie Returns | Aaron Zigman | B Minor | 0 | 10A | 95 BPM | ||
Brideshead Revisited Variations: Theme | Geoffrey Burgon, Adelaide Symphony Orchestra, José Serebrier | C Major | 3 | 8B | 114 BPM | ||
The Moment That Could Not Last | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
Chariots of Fire: Main Theme (arr. N. Raine for orchestra) | Vangelis, Nicholas Raine, Royal Philharmonic Orchestra | C Major | 4 | 8B | 137 BPM |