Edvard Grieg, Royal Philharmonic Orchestra's 'Peer Gynt Suite No. 1. 4 - I Dovregubbens Hall - In The Hall Of The Mountain King' came out on 1997. The duration of Peer Gynt Suite No. 1. 4 - I Dovregubbens Hall - In The Hall Of The Mountain King is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Peer Gynt Suite No. 1. 4 - I Dovregubbens Hall - In The Hall Of The Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Royal Philharmonic Orchestra's "Masterpieces from Norway: Orchestral Favourites" album is number 4 out of 17. In terms of popularity, Peer Gynt Suite No. 1. 4 - I Dovregubbens Hall - In The Hall Of The Mountain King is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 1. 4 - I Dovregubbens Hall - In The Hall Of The Mountain King by Edvard Grieg, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bad weather | Blåståget 1, Jan Utbult | F Major | 5 | 7B | 110 BPM | ||
Bojarenes Indtogsmarsj | Johan Halvorsen, Royal Philharmonic Orchestra, Per Dreier | E♭ Major | 2 | 5B | 94 BPM | ||
Fest-Polonaise - Polonaise | Johan Svendsen, Royal Philharmonic Orchestra | E Major | 2 | 12B | 98 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
March of the Toreadors | 101 Strings Orchestra | D Minor | 5 | 7A | 120 BPM | ||
Seterjentens Søndag - Solitude | Ole Bull, Royal Philharmonic Orchestra | D Major | 0 | 10B | 80 BPM | ||
Wedding March | Royal Philharmonic Orchestra | C Major | 2 | 8B | 69 BPM | ||
Entrance of the Gladiators | Valentino Production Music | D♭ Major | 4 | 3B | 121 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM |