"Brideshead Revisited Variations: Theme" by Geoffrey Burgon, Adelaide Symphony Orchestra, José Serebrier was released on January 2, 2004. The duration of Brideshead Revisited Variations: Theme is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Brideshead Revisited Variations: Theme's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 22 in Elizabethan Serenade II: Classics of British Light Music by Various Artists. In terms of popularity, Brideshead Revisited Variations: Theme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brideshead Revisited Variations: Theme by Geoffrey Burgon, Adelaide Symphony Orchestra, José Serebrier is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 83 BPM | ||
The High And The Mighty: Suite | Dimitri Tiomkin | B Major | 3 | 1B | 86 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) | Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith | D Major | 2 | 10B | 141 BPM | ||
Over the Stone: IV. Crossing the Stone | Karl Jenkins, Alis Huws, Coronation Orchestra, Antonio Pappano | F Minor | 1 | 4A | 63 BPM | ||
The Comedy of Errors - Incidental Music: Lo! here the gentle lark | Henry Rowley Bishop, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Julia Grengell | F Major | 2 | 7B | 126 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Tchaikovsky Piano Concerto #1 | Roger Williams | F Major | 2 | 7B | 131 BPM | ||
Why Picton? | Academy of St. Martin in the Fields, Gabriel Yared | E Minor | 1 | 9A | 79 BPM |