"Vau. Et egressus est a filia Sion: I. Vau. Et egressus est" by Manuel Cardoso, El León de Oro, Peter Phillips had its release date on February 1, 2019. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Vau. Et egressus est a filia Sion: I. Vau. Et egressus est's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 34 in Amarae morti: Lamentations & Motets from Renaissance Europe by El León de Oro, Dominique Phinot, Peter Phillips, Orlande de Lassus, Nicolas Gombert, Manuel Cardoso, Tomás Luis de Victoria, Cristobal de Morales, Giovanni Pierluigi da Palestrina. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Vau. Et egressus est a filia Sion: I. Vau. Et egressus est's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vau. Et egressus est a filia Sion: I. Vau. Et egressus est by Manuel Cardoso, El León de Oro, Peter Phillips is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Panis Angelicus - Bonus Track | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | F♯ Major | 1 | 2B | 81 BPM | ||
In tribulationibus, in angustiis: No. 2, Aria, "Ad montem venite" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
Giunto a la tomba | Giaches de Wert, La Venexiana, Claudio Cavina | B♭ Minor | 1 | 3A | 115 BPM | ||
Benedictus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 71 BPM | ||
Who Can Express the Noble Acts of the Lord? From the Anthem “O Give Thanks Unto the Lord” - Words from the Psalm 106 | Manuel Cardoso, Samuel Sebastian Wesley, Paul Phoenix, The Boys of the St Paul's Cathedral Choir, Barry Rose | F Major | 2 | 7B | 78 BPM | ||
O stella caeli | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Jam Luci Orto Sidere | The Schola Cantorum of St. Peter's in the Loop | F Minor | 0 | 4A | 74 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM |