"William Byrd Suite (arr. G. Jacob): I. The Earl of Oxford’s March" by Gordon Jacob, William Byrd, United States Air Force Band, Lowell Graham was released on January 1, 2006. The duration of William Byrd Suite (arr. G. Jacob): I. The Earl of Oxford’s March is about 3 minutes long, at 3:02. Based on our data, "William Byrd Suite (arr. G. Jacob): I. The Earl of Oxford’s March" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in United States Air Force Band, Lowell Graham's "Grainger: Duke of Marlborough Fanfare (The) / Lincolnshire Posy / Roussel: A Glorious Day" album is number 9 out of 19. On top of that, United States appears to be the country where this track was created. William Byrd Suite (arr. G. Jacob): I. The Earl of Oxford’s March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of William Byrd Suite (arr. G. Jacob): I. The Earl of Oxford’s March by Gordon Jacob, William Byrd, United States Air Force Band, Lowell Graham to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Camino Real | Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra | D Minor | 2 | 7A | 68 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Be Thou My Vision | David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 90 BPM | ||
March from The Love for Three Oranges, Op. 33a | Sergei Prokofiev, Michael Tilson Thomas, Los Angeles Philharmonic | A♭ Major | 4 | 4B | 124 BPM | ||
Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 2 | 4B | 127 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 1 | 8A | 107 BPM | ||
Glinka: Overture from Ruslan and Ludmilla | Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani | D Major | 3 | 10B | 76 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | G Minor | 2 | 6A | 158 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Montgomery Variations: VI. Lament | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 87 BPM |