"Strauss: Gluckes Genug (Op. 37. No. 1)" by Malcolm Martineau, Inger Dam-Jensen was released on January 1, 2011. The duration of Strauss: Gluckes Genug (Op. 37. No. 1) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Strauss: Gluckes Genug (Op. 37. No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #50. Based on our statistics, Strauss: Gluckes Genug (Op. 37. No. 1)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Gluckes Genug (Op. 37. No. 1) by Malcolm Martineau, Inger Dam-Jensen having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madre Mía Cuando Muera | Gunnel Sköld, Jan Bülow | F♯ Major | 2 | 2B | 80 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Nuit d'Espagne | Jules Massenet, Véronique Gens, I Giardini | G Minor | 1 | 6A | 90 BPM | ||
Frauenliebe und Leben, Op. 42: V. Helft mir, ihr Schwestern | Robert Schumann, Elina Garanca, Malcolm Martineau | F♯ Minor | 1 | 11A | 86 BPM | ||
12 Romances, Op. 21: VII. Zdes' khorosho | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | C Major | 1 | 8B | 81 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Down by the Salley Gardens | Rebecca Clarke, Golda Schultz, Jonathan Ware | C Major | 0 | 8B | 119 BPM |