"12 Romances, Op. 21: VII. Zdes' khorosho" by Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas was released on October 6, 2023. The duration of 12 Romances, Op. 21: VII. Zdes' khorosho is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 12 Romances, Op. 21: VII. Zdes' khorosho's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 40 in Best of Klassik 2023 - Opus Klassik by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. 12 Romances, Op. 21: VII. Zdes' khorosho is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Romances, Op. 21: VII. Zdes' khorosho by Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Chants de Terre et de Ciel: No. 5, Minuit pile et face (pour la mort) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Con amores, la mi madre | Fernando Obradors, Ruth Ann Swenson | F Minor | 0 | 4A | 138 BPM | ||
Czyż: Pożegnania: No. 1, Kochałem Panią | Henryk Czyz, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Poèmes pour Mi, Premier Livre: No. 2, Paysage | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM |