"L'Arlésienne Suite No. 2: I. Pastorale" by Ernest Guiraud, Georges Bizet, L'Orchestre de la Suisse Romande, Kazuki Yamada was released on November 19, 2013. L'Arlésienne Suite No. 2: I. Pastorale is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 5 out of 19 in Bizet: L'Arlesienne Suite Nos. 1 & 2 - Fauré: Masques et bergamasques Suite - Gounod: Faust by L'Orchestre de la Suisse Romande, Kazuki Yamada. In terms of popularity, L'Arlésienne Suite No. 2: I. Pastorale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2: I. Pastorale by Ernest Guiraud, Georges Bizet, L'Orchestre de la Suisse Romande, Kazuki Yamada is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Attack | Mystic Symphony | D♭ Major | 8 | 3B | 166 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Capriccio espagnol, Op. 34: Scena e canto gitano: Allegretto | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Rosen aus dem Süden, Op. 388 - Remastered 2024 | Johann Strauss II, The New Symphony Orchestra Of London, Josef Krips | B♭ Major | 1 | 6B | 77 BPM | ||
Sperl-galopp, Op. 42 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 3 | 12B | 137 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Cuadros de una exposición para orquesta: No. 3, Tullerías | Orquesta Filarmónica de Slavonia, Alberto Lizzio | E♭ Minor | 1 | 2A | 60 BPM |