"Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale" by Alexander Borodin, Anima Eterna, Jos Van Immerseel was released on 2004. Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rimski-Korsakov: Shéhérazade & La grande Pâque Russe - Borodine: Les Danses polovtsiennes & Dans les steppes de l'Asie Centrale". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Belgium. In terms of popularity, Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale by Alexander Borodin, Anima Eterna, Jos Van Immerseel having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes Brahms: Sinfonie Nr. 3 F-Dur op. 90 - III. Poco Allegretto | Royal Philharmonic Orchestra, Robert Bachmann | C Minor | 0 | 5A | 81 BPM | ||
Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner) | Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito | A Major | 1 | 11B | 93 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
5 German Dances, D.89 (D.90) - Arranged For 7 Trios And 1 Coda For String Quartett: 1. Deutscher Tanz - Trio I - Trio II In C Major | Franz Schubert, Gidon Kremer, Gabrielle Lester, Diemut Poppen, Richard Lester, Chamber Orchestra of Europe | C Major | 0 | 8B | 133 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Scene | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 114 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Romeo & Juliet: Scene I, Introduction | Sergei Prokofiev, Valery Gergiev, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM |