"Akt I: Vom Bade kehrt der König heim" by Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan was released on March 1, 2024. Since Akt I: Vom Bade kehrt der König heim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #1 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Vom Bade kehrt der König heim is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Vom Bade kehrt der König heim by Richard Wagner, Jonas Kaufmann, Georg Zeppenfeld, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Vom Bade kehrt der König heim being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gurrelieder, Pt. 1: No. 4, Ross! Mein Ross! (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D♭ Minor | 4 | 12A | 73 BPM | ||
Die Walküre, WWV 86B, Act II: Wotan's Rage | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | A♭ Major | 0 | 4B | 70 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Das Liebesverbot, WWV 38, Act I: Act I: Wohlan, so rede! (Friedrich, Isabella) | Richard Wagner, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Wolfgang Sawallisch | B♭ Major | 3 | 6B | 69 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace | Wilhelm Furtwängler | B♭ Major | 3 | 6B | 104 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6 - Sostenuto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1866-1868 Linz version): III. Scherzo. Schnell - Trio. Langsamer | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | G Minor | 1 | 6A | 116 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | E Minor | 2 | 9A | 90 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XI. Auf dem Gletscher. Festes, sehr lebhaftes Zeitmass – un poco maestoso | Richard Strauss, Vasily Petrenko, Oslo Philharmonic Orchestra | B Major | 2 | 1B | 106 BPM |