On 1949, the song "Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace" was released by Wilhelm Furtwängler. With Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 10 in Brahms: Variations on a Theme by Haydn, Op.56 by Wilhelm Furtwängler. In terms of popularity, Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace by Wilhelm Furtwängler is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse pour piano, Op. 39, No. 15 | Johannes Brahms, France Clidat | G Minor | 4 | 6A | 80 BPM | ||
Piano Concerto No. 1 in D Minor: III. Allegro con brio | Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Major | 2 | 7B | 105 BPM | ||
Concerto for 2 Pianos and Orchestra, Op. 88a: IV. Andante - Allegro | Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A♭ Major | 1 | 4B | 74 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Symphony No. 7 in C Major, Op. 105: IV. Vivace - Presto - Adagio | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Tristan und Isolde, WWV 90: Mild und leise wie er lächelt | Richard Wagner, Berliner Philharmoniker, Wilhelm Furtwängler | G Major | 2 | 9B | 74 BPM | ||
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | G Minor | 2 | 6A | 74 BPM | ||
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM |