"Graziani: Cello Concerto in C Major: II. Larghetto grazioso con portamento" by Carlo Graziani, Edgar Moreau, Riccardo Minasi, Il Pomo D'oro was released on October 23, 2015. With this song being about 5 minutes long, at 4:45, "Graziani: Cello Concerto in C Major: II. Larghetto grazioso con portamento" by Carlo Graziani, Edgar Moreau, Riccardo Minasi, Il Pomo D'oro is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edgar Moreau, Riccardo Minasi, Il Pomo D'oro's "Giovincello" album is number 14 out of 15. Graziani: Cello Concerto in C Major: II. Larghetto grazioso con portamento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Graziani: Cello Concerto in C Major: II. Larghetto grazioso con portamento by Carlo Graziani, Edgar Moreau, Riccardo Minasi, Il Pomo D'oro to be Lento (slowly) because the track has a tempo of 59 テンポ, a half-time of 30テンポ, and a double-time of 118 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Yo-Yo Ma, Leonidas Kavakos, Emanuel Ax | A♭ Major | 0 | 4B | 81 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Romanian Folk Dances Sz. 56: IV. Dance from Bucium | Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra | C Major | 2 | 8B | 73 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for Cello & Orchestra) | Pyotr Ilyich Tchaikovsky, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | G Major | 0 | 9B | 105 BPM | ||
L‘Ernelinda: "Nube di denso orrore" | Leonardo Vinci, Franco Fagioli, Il Pomo D'oro, Zefira Valova | A Major | 4 | 11B | 80 BPM | ||
Die Entführung aus dem Serail, K. 384, Act III Scene 3: Ich baue ganz auf deine Stärke | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
Falla / Arr Llobet / Pujol: 7 Canciones populares Españolas: VII. Polo | Manuel de Falla, Thibaut García, Edgar Moreau | A Minor | 2 | 8A | 114 BPM | ||
Handel: Partenope, HWV 27, Act 1: "Arsace. Armindo" (Armindo, Arsace, Partenope, Rosmira) | George Frideric Handel, Philippe Jaroussky, Riccardo Minasi, Il Pomo D'oro | A♭ Major | 2 | 4B | 115 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM | ||
Suite No. 4 in D Minor: IV. Minuetto | Domenico Zipoli, Giovanni Nesi | D Minor | 0 | 7A | 114 BPM |