"Die Entführung aus dem Serail, K. 384, Act III Scene 3: Ich baue ganz auf deine Stärke" by Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi was released on October 6, 2017. Die Entführung aus dem Serail, K. 384, Act III Scene 3: Ich baue ganz auf deine Stärke is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Juan Diego Flórez's "Mozart" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die Entführung aus dem Serail, K. 384, Act III Scene 3: Ich baue ganz auf deine Stärke is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Entführung aus dem Serail, K. 384, Act III Scene 3: Ich baue ganz auf deine Stärke by Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Piano Sonata No. 15 in F Major, K. 533/494: 1. Allegro, K. 533 | Wolfgang Amadeus Mozart, Alfred Brendel | F Major | 1 | 7B | 85 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
16 Waltzes, Op. 39: No. 15 in A Flat Major | Johannes Brahms, Fabian Müller | A♭ Major | 0 | 4B | 69 BPM |