Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk's 'Peer Gynt-Suite Nr. 1, Op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King)' came out on January 11, 1994. The duration of Peer Gynt-Suite Nr. 1, Op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Peer Gynt-Suite Nr. 1, Op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg's "Grieg: Peer Gynt / Lyric Pieces / Sigurd Jorsalfar" album is number 4 out of 14. In terms of popularity, Peer Gynt-Suite Nr. 1, Op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Peer Gynt-Suite Nr. 1, Op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) by Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazer or The Moor's Revenge, II. Rondeau | Chamber Orchestra of Hartford | C Minor | 3 | 5A | 159 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Greensleeves | Ralph Vaughan Williams, Sir Simon Rattle, Berliner Symphoniker | C Minor | 1 | 5A | 80 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Fucik : Entry of the Gladiators Op.68 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | C Major | 6 | 8B | 121 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
I. Allegro from Serenade in G, K. 525 "Eine Kleine Nachtmusik" | Boston Symphony Orchestra, Erich Leinsdorf | G Major | 1 | 9B | 137 BPM |