Chamber Orchestra of Hartford made "Abdelazer or The Moor's Revenge, II. Rondeau" available on June 8, 2004. With Abdelazer or The Moor's Revenge, II. Rondeau being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Concentus Musicus Wien, Fritz Mahler, George Malcolm, Gerald Gelbloom, Hartford Chamber Orchestra, Nikolaus Harnoncourt's "Henry Purcell: Fantasias & Suites" album is number 2 out of 60. On top of that, United States appears to be the country where this track was created. Based on our statistics, Abdelazer or The Moor's Revenge, II. Rondeau's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Abdelazer or The Moor's Revenge, II. Rondeau by Chamber Orchestra of Hartford to be Vivace (lively and fast) because the track has a tempo of 159 テンポ, a half-time of 80テンポ, and a double-time of 318 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 3 in B-Flat Major: III. Allegro | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | B♭ Major | 4 | 6B | 122 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: III. Allegro | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D♭ Minor | 1 | 12A | 90 BPM | ||
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Toccatina sopra la ribellione di Ungheria: IV. Sarabande: La sentence | Alessandro Poglietti, Isolde Ahlgrimm | E Minor | 3 | 9A | 67 BPM | ||
Violin Sonata No. 2 in A Minor: V. Finale | Johann Paul Von Westhoff, Jonas Zschenderlein | E Major | 1 | 12B | 0 BPM | ||
Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
Divertimento No. 1, Op. 20: I. Jo alapos csardas (A richly done csardas) | Leó Weiner, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 95 BPM | ||
The Virtuous Wife, IV. Minuets I and II | Chamber Orchestra of Hartford | D Minor | 1 | 7A | 87 BPM | ||
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 147 BPM |