"Der 13. Psalm, Op. 27" by Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild was released on July 1, 2016. With this song being about 5 minutes long, at 5:08, "Der 13. Psalm, Op. 27" by Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 115 in Brahms: Complete Choral Works by Johannes Brahms, Wolf-Dieter Hauschild. In terms of popularity, Der 13. Psalm, Op. 27 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der 13. Psalm, Op. 27 by Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
The Peacemakers: Dona nobis pacem | Karl Jenkins, Polyphony, Stephen Layton | C Major | 1 | 8B | 65 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
Psalm 9 "I Will Give Thanks unto Thee, O Lord" | Thomas Attwood Walmisley, York Minster Choir, John Scott Whiteley, Philip Moore | A Major | 1 | 11B | 82 BPM | ||
Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich | Heinrich Schütz, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 115 BPM |