"Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich" by Heinrich Schütz, Vox Luminis, Lionel Meunier was released on May 16, 2011. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Schütz: Musicalische Exequien". In this album, this song's track order is #7. In terms of popularity, Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich by Heinrich Schütz, Vox Luminis, Lionel Meunier having a テンポ of 115 with a half-time of 58 テンポ and a double-time of 230 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Der Mensch, vom Weibe geboren | Johann Christoph Bach, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 109 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Now the Powers of Heaven | Giuseppe Sarti, Estonian Philharmonic Chamber Choir, Paul Hillier | B Major | 1 | 1B | 65 BPM | ||
Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | ||
Fünf Gesänge, Op. 104: I. Nachtwache I | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | B♭ Major | 1 | 6B | 79 BPM | ||
Psalmen Davids: XI. Wohl dem, der den Herren fürchtet, swv 30 | Heinrich Schütz, Cantus Cölln, Imke David, Mieneke van der Velden, Sören Lupold, Joachim Klier, Konrad Junghanel, Anne Rohrig, Carsten Lohff, Christoph Heidemann | E♭ Minor | 1 | 2A | 74 BPM | ||
Das Blut Jesu Christi | Johann Michael Bach, Vox Luminis, Lionel Meunier, Scorpio Collectief | F Major | 1 | 7B | 74 BPM | ||
Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Also hat Gott die Welt geliebt | Heinrich Schütz, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 112 BPM | ||
Teutoniam dudum belli, SWV 338 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM |