Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra made "Cipollino, Act II Scene 3: Scene with Flowers" available on January 1, 2009. With Cipollino, Act II Scene 3: Scene with Flowers being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra's "Karen Khachaturian: Cipollino" album is number 19 out of 41. In terms of popularity, Cipollino, Act II Scene 3: Scene with Flowers is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Cipollino, Act II Scene 3: Scene with Flowers by Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fisher’s Hornpipe (Arr. C. McTee & F. Slatkin for Orchestra) | Traditional, The Manhattan School of Music Symphony Orchestra, Leonard Slatkin | D Major | 4 | 10B | 74 BPM | ||
Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
Polonaise - Farewell to the Fatherland | Boris Khaykin, Bolshoi Theatre Orchestra | A Minor | 2 | 8A | 66 BPM | ||
Ruslan and Lyudmila, Op. 5, Act I: No. 1, Introduction. Dela davno minuvsikh dnei | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | G Major | 1 | 9B | 76 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
La Sylphide: Act I: Effy's entrance | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | G Major | 0 | 9B | 37 BPM | ||
Cipollino, Act II Scene 3: Everybody's Dance | Karen Khachaturian, Alexander Kopylov, Bolshoi Theatre Orchestra | D Major | 3 | 10B | 92 BPM | ||
Cinderella, Op. 87: 12. Spring Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | D Major | 0 | 10B | 128 BPM | ||
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM |