Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut made "Carmen Ballet Suite (after Bizet): II. Dance" available on October 3, 2016. The duration of Carmen Ballet Suite (after Bizet): II. Dance is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen Ballet Suite (after Bizet): II. Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Shchedrin: Carmen Suite & Respighi: La Boutique fantasque". In this album, this song's track order is #2. Based on our statistics, Carmen Ballet Suite (after Bizet): II. Dance's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Carmen Ballet Suite (after Bizet): II. Dance by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental festival march | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | A Minor | 4 | 8A | 100 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Waltz Suite, Op. 110: VI. Happiness (from Cinderella) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
Ritual Fire Dance | Manuel de Falla, Arthur Rubinstein | E Minor | 2 | 9A | 150 BPM | ||
Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM | ||
Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VIII. Midnight | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Giselle: Act I: Finale | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 128 BPM |