Boris Khaykin, Bolshoi Theatre Orchestra's 'Polonaise - Farewell to the Fatherland' came out on March 6, 2008. The duration of Polonaise - Farewell to the Fatherland is about 3 minutes long, at 3:19. Based on our data, "Polonaise - Farewell to the Fatherland" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 2 in Boccherini: Minuet - Oginski: Polonaise by Boris Khaykin, Bolshoi Theatre Orchestra. Polonaise - Farewell to the Fatherland is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polonaise - Farewell to the Fatherland by Boris Khaykin, Bolshoi Theatre Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Symphony No. 1 in E Minor, Op. 1: IV. Allegro assai | Boris Khaykin, USSR State Radio Symphony Orchestra | E Minor | 2 | 9A | 170 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Eugene Onegin, Op. 24, TH 5, Act I Scene 1: A, vot i vi! (Live) | Pyotr Ilyich Tchaikovsky, Ivan Alekseev, Ivan Kozlovsky, Olga Kashevarova, Lyudmila Grudina, Sofia Preobrazhenskaya, Nicolai Konstantinov, Anna Mankovskaya, Nikolay Grishanov, Leningrad Maly Opera Theatre Chorus, Leningrad Academic Maly Opera Theatre Orchestra, Boris Khaykin | E♭ Major | 5 | 5B | 85 BPM | ||
Eine kleine Nachtmusik K. 525: Romanze | Wolfgang Amadeus Mozart, City Of London Sinfonia;Andrew Watkinson | C Major | 1 | 8B | 77 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra | C Minor | 1 | 5A | 98 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
The Maid of Orleans, Op. 4: Act I: A distant fire (Raymond, Thibaut, Chorus, Bertrand) | Pyotr Ilyich Tchaikovsky, Vitali Ignatievich Kilchevsky, Nicolai Konstantinov, Sofya Preobrazhenskaya, Odilia Kashevarova, Vitali Runovsky, L. Solomiak, Vladimir Ulianov, Ivan Yashugin, I. Shashkov, S. Vodsinsky, A. Marin, M. Merzhevskaya, N. Grishanov, Kirov State Academic Theatre Chorus, Kirov State Academic Theatre Orchestra, Boris Khaykin | E Minor | 1 | 9A | 95 BPM |