Royal Philharmonic Orchestra's 'Hungarian Dance No.1 In G Minor' came out on May 1, 2010. The duration of Hungarian Dance No.1 In G Minor is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Hungarian Dance No.1 In G Minor's duration is considered a little bit shorter than the average duration of a typical track. This song is part of World Classical 2010 by Various Artists. The song's track number on the album is #39 out of 100 tracks. In terms of popularity, Hungarian Dance No.1 In G Minor is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hungarian Dance No.1 In G Minor by Royal Philharmonic Orchestra has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Hungarian Dance No.1 In G Minor being at 92 テンポ, the half-time would be 46 テンポ with a double-time of 184 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act VI: Teleportation | Manu Martin, Susan Lim, Joi Barua, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Valse Triste, Op. 44 No. 1 | Japan Philharmonic Orchestra, Jean Sibelius, Akeo Watana | G Major | 0 | 9B | 88 BPM | ||
Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude | CHA Medical Center | G Major | 1 | 9B | 80 BPM | ||
Rapsodia Hungara No 2 | Orquesta Sinfónica De Eslovaquia | D♭ Major | 3 | 3B | 141 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM |