CHA Medical Center made "Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude" available on November 17, 2014. The duration of Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Prescription music for middle school students (Healing sounds to reduce the feeling of enmity for no reason)". In this album, this song's track order is #4. Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude by CHA Medical Center having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Bergamasque: III. Clair de lune (feat. Sarah Ainsworth) | The Royal Festival Orchestra, Sarah Ainsworth | D♭ Major | 0 | 3B | 77 BPM | ||
Violin Sonata No. 1 in D Minor, Op. 75: I. Allegro agitato | Camille Saint-Saëns, Joshua Bell, Jeremy Denk | D Minor | 1 | 7A | 102 BPM | ||
Pavane - Produced | Gabriel Fauré, Orchestra Da Camera Di Roma | F♯ Minor | 1 | 11A | 129 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Claudio Arrau | F Minor | 0 | 4A | 58 BPM | ||
Bach: Praeludium I | Patrik Jablonski | C Major | 0 | 8B | 132 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, London Symphony Orchestra, Andrew Schenck | B♭ Minor | 0 | 3A | 72 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Tbilisi Symphony Orchestra | F♯ Major | 2 | 2B | 95 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM |