Giacomo Puccini, James Courtney, Luciano Pavarotti, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'Manon Lescaut / Act 3: Presto! In fila!' came out on January 1, 1993. The duration of Manon Lescaut / Act 3: Presto! In fila! is about 3 minutes long, at 3:28. Based on our data, "Manon Lescaut / Act 3: Presto! In fila!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #6. Manon Lescaut / Act 3: Presto! In fila! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 3: Presto! In fila! by Giacomo Puccini, James Courtney, Luciano Pavarotti, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Africaine / Act 4: Mi batte il cor...O Paradiso - Live | Giacomo Meyerbeer, Luciano Pavarotti, Orchestra dell'ater, Leone Magiera | F♯ Major | 2 | 2B | 80 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
La Sonnambula / Act 1: Sopra il sen la man mi posa | Vincenzo Bellini, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 75 BPM | ||
Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | G Minor | 3 | 6A | 131 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Ernani / Part 4: "Solingo, errante misero" - Live In New York / 1981 | Giuseppe Verdi, Dame Joan Sutherland, Marilyn Horne, Luciano Pavarotti, New York City Opera Orchestra, Richard Bonynge | D Major | 3 | 10B | 143 BPM | ||
Turandot, SC 91 / Act 3: Nessun dorma | Giacomo Puccini, Freddie De Tommaso, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | D Major | 2 | 10B | 71 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM |