"The Miraculous Mandarin Suite, Op. 19: VI. Chase" by Béla Bartók, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel was released on January 9, 2012. The duration of The Miraculous Mandarin Suite, Op. 19: VI. Chase is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Miraculous Mandarin Suite, Op. 19: VI. Chase's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Prokofiev, Bartók, Schulhoff, Holst & Ravel: Music of the Machine Age". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Miraculous Mandarin Suite, Op. 19: VI. Chase's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Miraculous Mandarin Suite, Op. 19: VI. Chase by Béla Bartók, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Pelléas et Mélisande: XI. Duel. Épée de jalousie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': I. Adagio. Con moto | Leoš Janáček, Jerusalem Quartet | B Major | 1 | 1B | 92 BPM | ||
The Miraculous Mandarin Suite, Op. 19: VI. Chase | Béla Bartók, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | D Major | 2 | 10B | 129 BPM | ||
Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Dance of the goblins | Antonio Bazzini, Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
Romeo and Juliet Suite: Montagues and Capulets | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | A Minor | 1 | 8A | 94 BPM |