Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester's '11. Aria: So stehet ein Berg Gottes' came out on April 19, 2024. 11. Aria: So stehet ein Berg Gottes is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. Because this song is the only song in Georg Anton Kreusser: Der Tod Jesu: 11. Aria: So stehet ein Berg Gottes and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 11. Aria: So stehet ein Berg Gottes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 11. Aria: So stehet ein Berg Gottes by Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Sonate No. 5 D-Dur: II. Largo | Domenico Gabrielli, Monika Nuber, Bernhard Kratzer | B Minor | 0 | 10A | 63 BPM | ||
Erschienen ist der herrlich Tag, BuxWV 224 | Łukasz Bobka | A Minor | 3 | 8A | 70 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Durch Zärtlichkeit und Schmeicheln - Remastered 2024 | Wolfgang Amadeus Mozart, Emmy Loose, Endre Koreh, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
11. Aria: So stehet ein Berg Gottes | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 125 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM |