Samuel Scheidt, Christoph Lehmann's 'Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a' had a release date set for 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 53 in the song's album "Scheidt: Complete Organ Works, Vol. 5". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a by Samuel Scheidt, Christoph Lehmann having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Missa brevis in D Major, K. 194: II. Gloria | Wolfgang Amadeus Mozart, Collegium Classicum Köln, Hilke Helling, Klaus Mertens, Klaus Schneider, Kölner Kammerchor, Maria Zedelius, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Mouton: Nesciens Mater | The Tallis Scholars, Peter Phillips | F Major | 2 | 7B | 82 BPM | ||
Canzon XXVIII a 8, "Sol sol la fa mi" (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | F Major | 1 | 7B | 176 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Diferencias Sobre el Canto de "La Dama le Demanda" | Antonio de Cabezón, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 1 | 2A | 152 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: II. Hail! Bright Cecilia | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM |