"Fólk fær andlit (Arr. Jarkko Riihimäki)" by Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki was released on September 10, 2021. With this song being about 5 minutes long, at 5:18, "Fólk fær andlit (Arr. Jarkko Riihimäki)" by Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Guðnadóttir: Fólk fær andlit and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Fólk fær andlit (Arr. Jarkko Riihimäki) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fólk fær andlit (Arr. Jarkko Riihimäki) by Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bells of Dawn (Zoryu b’yut) | Georgy Sviridov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | F♯ Minor | 1 | 11A | 61 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Dead Friend | Sarah Kirkland Snider, Emily D'Angelo, Wolfgang Fischer, das freie orchester Berlin, Jarkko Riihimäki | G Major | 1 | 9B | 172 BPM | ||
Medea - Invocation "Nunc iam cessit pontus et omnis partitur" | Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall | F Major | 1 | 7B | 66 BPM | ||
Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
In the Light of Air: I. Luminance | Anna Thorvaldsdottir, International Contemporary Ensemble | A♭ Major | 0 | 4B | 66 BPM | ||
Journey (CP1919) | Max Richter, Aurora Orchestra, Nicholas Collon | E Minor | 0 | 9A | 96 BPM | ||
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM |