"Medea - Invocation "Nunc iam cessit pontus et omnis partitur"" by Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall was released on February 27, 2012. With this song being about 5 minutes long, at 4:52, "Medea - Invocation "Nunc iam cessit pontus et omnis partitur"" by Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "The Voice of Emotion". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Medea - Invocation "Nunc iam cessit pontus et omnis partitur" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Medea - Invocation "Nunc iam cessit pontus et omnis partitur" by Montserrat Figueras, Sénèque, Dimitri Psonis, Jordi Savall having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 17.2 & Chapter 18.1 - De la vie heureuse de Sénèque | Sénèque | A♭ Major | 3 | 4B | 112 BPM | ||
I. 1459 El Tiempo de Maximiliano I (Rey de Roma 1486 y Emperador Germánico 1493) y de María de Borgoña (Duquesa De Borgoña 1477-1482): Dit Le Bourguygnon (Instrumental) | Ottaviano Petrucci, Jordi Savall, Hespèrion XXI | E Minor | 3 | 9A | 100 BPM | ||
Maurerische Trauermusik, K 477 | Wolfgang Amadeus Mozart, Jordi Savall | C Major | 0 | 8B | 131 BPM | ||
The Beatitudes | Vladimir Martynov, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 90 BPM | ||
Follias Criollas: Gallarda Napolitana | Antonio Valente, Jordi Savall | G Major | 5 | 9B | 143 BPM | ||
L’Eraclito amoroso | Barbara Strozzi, Constantinople, Suzie LeBlanc | E Minor | 1 | 9A | 98 BPM | ||
Chapter 9.2 & Chapter 10 & Chapter 11.1 - De la vie heureuse de Sénèque | Sénèque | A♭ Major | 3 | 4B | 122 BPM | ||
Si De Vos Mi Bien (Instrumental) | Anónimo, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX | D Major | 0 | 10B | 108 BPM | ||
Tarantela II | Rolf Lislevand, Santiago De Murcia | D♭ Major | 2 | 3B | 103 BPM | ||
sopra l'anticho canto de La Spagna | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | D Minor | 1 | 7A | 96 BPM |