"Cabezón: Diferencias sobre El Canto del caballero" by Antonio de Cabezón, Jordi Savall was released on March 2, 2018. The duration of Cabezón: Diferencias sobre El Canto del caballero is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Cabezón: Diferencias sobre El Canto del caballero's duration is considered a little bit shorter than the average duration of a typical track. The song is number 108 out of 195 in España Eterna by Jordi Savall. Based on our statistics, Cabezón: Diferencias sobre El Canto del caballero's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cabezón: Diferencias sobre El Canto del caballero by Antonio de Cabezón, Jordi Savall is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Obras de musica para tecla, arpa y vihuela: Diferencias sobre el canto llano del caballero | Antonio de Cabezón, Piffaro | D♭ Major | 0 | 3B | 64 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Armoniosi concerti sopra la chitarra spagnuola: Brando | Domenico Pellegrini, Pierre Pitzl | A♭ Minor | 0 | 1A | 77 BPM | ||
Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Recercare: Racercare | Francesco Spinacino, Shirley Rumsey | B♭ Major | 0 | 6B | 141 BPM | ||
Quatrième suite in A Minor: No. 5, Caprice | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 78 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 100 BPM |