Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch's 'Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte' came out on April 19, 2024. The duration of Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Doux silence by Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte by Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byrd: Prelude & Goodnight Ground a 5 | William Byrd, Fretwork | E♭ Major | 1 | 5B | 84 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 176 BPM | ||
Dances: Sic semper soleo | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Minor | 0 | 6A | 110 BPM | ||
Lute Sonata No. 9: III. Giga | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 2 | 12A | 66 BPM | ||
Partita BWV 1007 V. | Christian Zimmermann | D♭ Major | 3 | 3B | 131 BPM | ||
Polonaise in G Minor, BWV Anh. 119 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
Spagnoletta | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 1 | 6A | 76 BPM | ||
II. Aria Moderato | James Oswald, Artemandoline | F♯ Major | 1 | 2B | 67 BPM | ||
Suite No. 9 en ré mineur: Menuet | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 135 BPM |