"Haydn: Mass No. 3, Sanctae Caeciliae in C6 Agnus Dei" by Polish Radio Choir, Polish Radio Symphony Orchestra was released on January 1, 2011. With this song being about 5 minutes long, at 4:36, "Haydn: Mass No. 3, Sanctae Caeciliae in C6 Agnus Dei" by Polish Radio Choir, Polish Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #43. Haydn: Mass No. 3, Sanctae Caeciliae in C6 Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Haydn: Mass No. 3, Sanctae Caeciliae in C6 Agnus Dei by Polish Radio Choir, Polish Radio Symphony Orchestra having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Meditation und Psalm | Piotr Moss, Polish Radio Choir, Polish National Radio Symphony Orchestra, Michal Klauza | A Major | 1 | 11B | 75 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM | ||
Verklärte Nacht, Op. 4: IV. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (I) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Mała suita kaszubska (Version for Mixed Choir) | Szymon Godziemba-Trytek, Polish Radio Choir, Vaclovas Augustinas | G Minor | 1 | 6A | 86 BPM | ||
Debussy: La Mer, CD 111, L. 109: II. Jeux de vagues | Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 114 BPM | ||
Symphony No. 7 in C Major, Op. 105: Vivace - Presto - Adagio - Largamente molto - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | B♭ Minor | 3 | 3A | 109 BPM | ||
War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F Major | 0 | 7B | 133 BPM |